3d scanning

project: E-Curator: 3D colour scans for remote object identification and assessment

The E-Curator research project "3D colour scans for remote object identification and assessment" is a project at UCL Museums and Collections. This project draws on UCL's expertise both in curatorship and in e-Science. It takes advantage of the presence at UCL of world class collections across a range of disciplines and of a state of the art colour scanner, the quality of which is unequalled in the UK. [read more]

tool: Adobe Photoshop

Adobe Photoshop is an editor for still images. It is equipped with a diverse range of processing tools, enabling users to create or modify content through the use of drawing tools, filters, or other plug-ins.
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Methods relating to this toolCategory
2d graphic designPractice-led research
2d illustrationPractice-led research
2d modelling - rasterData structuring and enhancement
2d modelling - vectorData structuring and enhancement
2d scanning and photographyData capture
3d graphic designPractice-led research
3d modelling - interactiveData structuring and enhancement
3d modelling - vectorData structuring and enhancement
3d modelling - vectorPractice-led research
3d scanningPractice-led research
Graphical interaction (asynchronous)Communication and collaboration
Graphical renderingData structuring and enhancement
Image enhancementData structuring and enhancement
Image feature measurementData analysis
Image manipulationPractice-led research
Image restorationData structuring and enhancement
Image segmentationData analysis
PhotogrammetryData structuring and enhancement
PhotographyPractice-led research
PhotomontagePractice-led research
VisualisationData analysis
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Alternate tool(s):

GraphicConverter, 36-image converter

project: Stonehenge Riverside Project

The Stonehenge Riverside Project was initiated in 2003 with the overall aim of better understanding Stonehenge within its changing monumental and natural landscape context, especially through investigation of the hypothesis that Stonehenge (in its Phase 3) formed one half of a larger complex as a stone circle associated with the dead, in contrast to a timber circle associated with the living at Durrington Walls. After five years of field investigations (landscape survey, geophysics, earthwork survey, excavation) and re-appraisal of previous interventions within the Stonehenge landscape, the [read more]

project: Masks for Menander: imaging and enactment

Combining experimental archaeology and practice-based research, the project has investigated the performance qualities and style of the masks of Greek New Comedy. Its aims have been to image in 3D selected New Comedy monuments from UK and European museums, and to conduct studio research with full-size reconstructions of the masks, scaled exactly from the 3-dimensional co-ordinates. [read more]

project: The Pompey Project: the evolution, structure and legacy of the Theatre of Pompey

The first scientific study of Rome’s first permanent theatre. Comprehensive documentation of all surviving remains, supplemented by new limited excavation at specific points targeted by our initial analysis. Creation of a definitive series of site-plans, sections, elevations keyed to a complete photographic record, and measured drawings. We have prepared an extensive archaeological register recording the details of every known artefact discovered on the site of the theatre complex for the past five centuries. [read more]

project: Adolphe Appia at Hellerau: Virtual Reconstructions and performances

Using both photographs of historic settings and original designs, virtual reality models were created of Appia's "rhythmic spaces", and their lighting and other properties. Mixed reality performance technology was used to integrate both video footage and live action into these virtual settings. In addition, a highly detailed VR model of the Hellerau Festspielhaus, where some of Appia's designs were realised for innovative performance, was created. Then, using historic photographs, sets recorded in archive photos were placed into the great hall at Hellerau, and lit under various conditions. [read more]
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