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event: NEoN Digital Arts Festival

08/11/2010
14/11/2010

NEoN Digital Arts Festival
8 – 14 November 2010 [read more...]

Location

Centre of Excellence, University of Abertay Dundee Dundee
United Kingdom

project: Capturing the past, preserving the future: digitisation of the national review of live art video collection

The Capturing the Past, Preserving the Future project has the following aims: To preserve for posterity the unique research materials contained in the National Review of Live Art Video Archive by digitising and maintaining the entire collection; To create an interactive and searchable on-line catalogue, including selected copyright-cleared examples of its holdings; To promote the enhanced research facility amongst the UK higher education, national and international performance research and practitioner communities; Readiness for developing curated programmes. [read more]

project: Staging the Henrician Court

The Great Hall at Hampton Court Palace is the only great hall built by Henry VIII. It is also the only existing Renaissance building in England for which there is unambiguous evidence of its being used for performances throughout the period c.1525 - 1658. In particular, the Great Hall at Hampton Court is largely the same space today as it was when William Shakespeare staged his A Midsummer Night's Dream before James I and VI. Staging the Henrician Court is an interdisciplinary research project into John Heywood's drama, the Play of the Wether. [read more]

project: Oral History of Twentieth Century Mongolia

The Oral History of Twentieth Century Mongolia is a co-operative research project between the Mongolia and Inner Asia Studies Unit at the University of Cambridge, and the International Association for Mongol Studies in Ulaanbaatar. The project has two goals: to increase knowledge of how people’s contexts affect understandings of events and history and to construct an on-line database in Mongolian and English of the oral history of Mongolia. We seek to increase our understanding of the relationship between memory, history and people’s political, cultural, social and economic contexts. [read more]

project: Medieval Warfare on the Grid: The Case of Manzikert

The Medieval Warfare on the Grid project (MWGrid) employs e-science methods and tools to support historical research into logistics of medieval war. The battle of Manzikert (modern Malazgirt, Turkey) in 1071, between the Byzantine Empire and the Seljuk Turks, is the subject of this investigation. This key event, which paved the way for Turkish settlement in eastern Anatolia, has been previously studied through comparative historical analysis. However, due to limited sources and the lack of comprehensive analytical methods, its logistics remain a subject of speculation. [read more]

project: Hidden Histories of Exploration: Exhibiting Geographical Collections

This project considers the role played by indigenous peoples and intermediaries in the history of exploration, as revealed by research in the collections of the Royal Geographical Society (with IBG). The project is particularly concerned with the roles of guides, porters, pilots, cooks, carriers, interpreters, go-betweens and informants in the creation of geographical knowledge. In wider terms, it seeks to provide a model for new ways of working with well-established geographical collections. [read more]

project: What is Black British Jazz? Routes, Ownership, Performance

The ‘Black British jazz’ project (BBJ) explores the emergence of a distinct tradition within British music. BBJ melds reggae, hiphop, African music and US jazz into a rich, and constantly developing set of sounds. In documenting this musical hybrid, the project touches on important issues for the study of music – the transmission of cultural values, the social context of musical forms, and frameworks of ownership that impact on musical communities. [read more]

project: Virtual Kemet: an African-centred Egyptian gallery for prisons

Since 2003 Dr Sally-Ann Ashton, an Egyptologist and Senior Assistant Keeper in the Department of Antiquities at the Fitzwilliam Museum, University of Cambridge has worked with prison education departments as part of an outreach programme. In order to expand her work and to explore the potential for using museum collections as an integral part of prison education, she was granted leave of absence from her post from September 2007 to September 2009. The project focused on Dr Ashton’s fieldwork and research, and the Egyptian and Nubian collections at the Fitzwilliam Museum. [read more]

project: "It was forty years ago today...": Locating the Early History of Performance Art in Wales 1965-1979

The project examines how performance art histories are constructed, paying particular attention to the development of the art form in the context of Wales. [read more]

project: Digital Himalaya Project

The Digital Himalaya project was designed by Professor Alan Macfarlane and Dr Mark Turin as a strategy for archiving and making available valuable ethnographic materials from the Himalayan region. The Digital Himalaya project had three primary objectives: 1. to preserve in a digital medium archival anthropological materials from the Himalayan region that were quickly degenerating in their current forms, including films in various formats, still photographs, sound recordings, field notes, maps and rare journals 2. [read more]
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