Sound encoding - MIDI

eventresources: Modern Methods for Musicology

A Methods Network expert seminar hosted by Tim Crawford, Department of Computing, Goldsmiths College, University of London.

This seminar explored the ways in which information and communication technology can be used to enhance research, teaching and learning in musicology, including fields such as music theory, analysis and performance analysis and traditional historical musicology. Presentations and discussions provided a picture of the realities of how ICT is currently being used in musicology as well as prospects and proposals for how it could be fruitfully used in the future.

eventresources: The Future of Information Technology in Music Research and Practice

Report on the Methods Network workshop run by Dave Meredith, Goldsmiths College, University of London, 8 September 2006.

The goals of this workshop were:

  • To identify worthwhile goals for future inter-disciplinary projects involving collaboration between technologists and music researchers and practitioners.
  • To raise awareness among leading music researchers and practitioners of the ways in which technology can (and cannot) be used to improve musical research and practice.

briefingpaper: Digital Tools for Performance

The focus of this paper is to take a very selective look at some of the ways that practitioners have used digital tools in the course of planning, designing, ‘doing’, communicating and documenting performancerelated works, a term that covers an enormous amount of territory and is intrinsically cross-disciplinary, connect [read more...]

project: Electronic corpus of Lute music (ECOLM) II

ECOLM is a web-accessible user-friendly digital scholarly resource centred around the musicology of the lute. By means of a guided interface, it supplies professional and amateur users with effective and efficient search methods (using words or music as queries) over a database comprising over 2000 pieces of lute music, which can be retrieved, viewed in tablature and (given a suitable computer) played back, without the need to understand specialist computer code. [read more]

project: French Piano Repertoire 1870-1920: Faure, Debussy, Ravel and Chabrier

It's best defined by the key publications involved: Critical editions of Fauré piano works (Peters Edition, London, ongoing): the first reliable and well-commented musical text for pianists of these important works Œuvres complètes de Claude Debussy (Editions Durand, Paris, ongoing): completion of the piano works in this series (various editors including myself), and now the production of revised budget paperback offprints from these library volumes Lifting the lid on French piano music: Debussy, Ravel, Fauré, Chabrier (Yale UP, now being completed). [read more]
Syndicate content