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project: Magnetic moments in the past: Developing archaeomagnetic dating for application in UK archaeology

This project follows on from a previous collaboration which established a methodology for using measurements of the past magnetic field of the Earth for dating archaeological materials in the last 4000 years in the UK. The primary aim of this project is to realise the potential of this research by developing its practical application in UK archaeology. There is increasing interest in using archaeomagnetic dating as part of the suite of chronological tools available to archaeologists. However, it has yet to be adopted routinely. [read more]

project: The Indian Temple: Production, Place and Patronage

Temples dominated the landscape of India between the seventh and thirteenth centuries. Protected by kings and widely supported by endowments and other gifts, temples enjoyed ascendancy as centres of religious life, socio-economic power and artistic production. Although much research has been carried out on temple architecture since the late nineteenth century, important questions remain about how temples were patronised and constructed and the place they occupied in a medieval Indian polity. [read more]

project: An investigation into what constitutes a reproduction in the 20th Century, through the 19th Century collotype process

This project challenged the notion of what constitutes a reproduction in the light of 21st Century digital technology and print output through an evaluation through visual and practical research into 19th Century photomechanical print processes, in particular the process of collotype. Whilst the contemporary half-tonal system is a commercially economical means of printing, the resulting images do not fully attain the same depth of colour or image clarity as those produced by either chemical photography or the screenless photomechanical printing processes in use at the end of the 19th century. [read more]

project: Out of the Wings

Out of the Wings brings the untapped riches of the theatres of Spain and Spanish America to English-speaking theatre professionals – practitioners and researchers alike. The virtual environment will reveal the plays as well as the bodies of knowledge that inform and sustain professional practice within Hispanic cultures. [read more]

project: A searchable, standards based catalogue of the Calum Maclean collection of Gaelic oral narrative

The Calum Maclean Collection Online Catalogue Project aims to make a major collection of material central to Scottish Ethnology available in digital form as an accessible and flexible research resource. The collection consists of over 13,000 manuscript pages of transcriptions of Gaelic folklore and song from the fieldwork of Calum Iain Maclean (1915-1960) carried out mainly in the Scottish Hebrides as well as in the Scottish Mainland Highlands. Primarily the collection consists of tale-texts together with full-length autobiographies from two major storytellers. [read more]

project: The Cairo Genizah manuscripts: Taylor-Schechter Old Series and the Mosseri Collection

The project aims to complete the cataloguing and detailed description of the Old Series of the Taylor-Schechter Cairo Genizah Collection and a substantial proportion of the Jacques Mosseri Genizah Collection. The T-S Collection consists of approx. 193,000 medieval (and early modern) Jewish manuscripts recovered from a storeroom (Genizah) in Old Cairo one hundred years ago, and is an unparalleled resource for the study of medieval Judaism, Islam and the history of the Mediterranean and Near East in the Middle Ages. The Old Series is the historical core of the Collection, and approx. [read more]

project: Commissioning, production, content and audience reception of bicentenary events commemorating the abolition of the slave trade in the UK, 1807-2007

The central aim of the 1807 Commemorated project was to both map and analyse the responses of museums and their audiences to the 2007 bicentenary of the abolition of the slave trade act of 1807. [read more]

project: Capturing the past, preserving the future: digitisation of the national review of live art video collection

The Capturing the Past, Preserving the Future project has the following aims: To preserve for posterity the unique research materials contained in the National Review of Live Art Video Archive by digitising and maintaining the entire collection; To create an interactive and searchable on-line catalogue, including selected copyright-cleared examples of its holdings; To promote the enhanced research facility amongst the UK higher education, national and international performance research and practitioner communities; Readiness for developing curated programmes. [read more]

project: The Prehistoric Stones of Greece: a resource from field-survey

The Prehistoric Stones of Greece (SOG) set out to enhance the research value of survey projects conducted in Greece that had recovered Palaeolithic, Mesolithic and Neolithic materials. SOG’s focus was to establish a database of stone tools and prehistoric lithics generally and by drawing this material into a common format enhance the resource for a variety of archaeological purposes; in particular academic research and heritage management. [read more]

project: Staging the Henrician Court

The Great Hall at Hampton Court Palace is the only great hall built by Henry VIII. It is also the only existing Renaissance building in England for which there is unambiguous evidence of its being used for performances throughout the period c.1525 - 1658. In particular, the Great Hall at Hampton Court is largely the same space today as it was when William Shakespeare staged his A Midsummer Night's Dream before James I and VI. Staging the Henrician Court is an interdisciplinary research project into John Heywood's drama, the Play of the Wether. [read more]
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